Love and Death
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:16:01
each with its own interesting history.
:16:05
Sonja. Are you OK?
:16:10
Oh, yes.
:16:12
But I've talked long enough.
:16:14
Why don't you two play, as I have got
some important business to attend to?

:16:19
A capital idea.
:16:23
Ready? And a one and a two...
:16:25
And...
:16:42
- You stopped.
- What would you think

:16:44
if I told you you were one of the most
beautiful women I have ever seen?

:16:50
I'd think what a mad fool he is.
:16:55
And what would you say
if I suddenly put my arms around you?

:16:59
I'd think what a mad,
impetuous fool he is.

:17:03
And what would you think if I kissed you?
:17:06
I'd think what a mad,
impetuous, wonderful fool he is.

:17:11
- Don't!
- I must!

:17:13
- We just ate.
- Your skin, it is so beautiful.

:17:16
Yes, I know. It covers my whole body.
:17:18
I must have you.
:17:20
No, not on the piano. It's a rented piano.
:17:23
Darling, my darling, my...
:17:26
Sonja!
:17:28
Sonja, did you see a jar of wine sauce?
:17:35
- Come to my quarters tomorrow at three.
- I can't.

:17:38
- Please!
- It's immoral. What time?

:17:40
- Who is to say what is moral?
- Morality is subjective.

:17:44
Subjectivity is objective.
:17:46
Moral notions imply attributes
to substances

:17:49
which exist only in relational duality.
:17:51
Not as an essential extension
of ontological existence.

:17:55
Can we not talk about sex so much?
:17:58
- I'm terribly sorry.
- You'd better go.


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