1:30:03
And give me your comments
on the film.
1:30:11
Aren't you ready?
1:30:19
Watch closely, Antoinette.
1:30:22
At last, I've adapted my will
to our audiovisual era.
1:30:25
Employees, friends and colleagues...
1:30:29
I've been dead for three months.
1:30:31
I'm not reappearing here
to speak of the beyond...
1:30:35
but to safeguard
our mutual interests.
1:30:38
You must carry on my life's work.
1:30:40
Take Philip's seat.
1:30:44
I trust you're all
in your assigned seats.
1:30:47
Or you'll be fired on the spot.
1:30:50
I'll speak to each one here.
1:30:54
Philip, each death is different.
1:30:57
Some are banal, others pay off.
1:30:59
Antoinette, take your own seat!
1:31:03
If our circulation doesn't drop...
1:31:06
give him a 10% raise.
1:31:08
If it increases,
his salary will be rated...
1:31:12
on the number of new readers.
1:31:14
Now go over to Tom's seat.
1:31:18
Tom, never put two nudes
in one edition.
1:31:20
We're not competing
with the erotic market!
1:31:27
That's enough.
1:31:28
I don't want anyone to see
the last part.
1:31:33
I'm going.
1:31:36
I can drive you to the boat.
1:31:38
If our journalistic ideals call...
1:31:40
for us to expose
life's sordid aspects...
1:31:43
we must also help
our readers to accept fate.
1:31:47
Remember that the only
fascinating subject...
1:31:51
is love.