:19:00
Yeah, the record producer
I told you about.
:19:02
Now, look, maybe if...
:19:04
That's another thing.
if you want to go by yourself.
:19:06
possibly you and Ellen.
because of business reasons.
:19:09
that's okay.
I don't object to that.
:19:11
and I could meet you later.
that's all.
:19:14
I didn't mean it like that.
I'm sorry.
:19:16
Is it okay?
:19:20
Yeah, it's okay.
:19:22
Right.
:19:23
Oh! Wait till I show you
what I got!
:19:30
Look at this.
:19:32
Don't worry about it.
:19:33
Oh, honey.
:19:35
You were looking at the words
to the tune, huh?
:19:37
Yeah. I was.
:19:44
And that's what you're gonna call it.
New York?
:19:47
New York.
:19:48
Yeah, that's what I said.
New York.
:19:50
That's what you're gonna call it?
:19:51
I thought since we met in New York.
we live in New York...
:19:55
"My vagabond...
:19:58
Shoes.
:19:59
"... shoes are longing to stray
:20:02
and step around
the heart... of it."
:20:08
New York. New York.
:20:11
It's, uh. "top of the heap." too.
:20:16
And this is the final version?
:20:18
Well, not necessarily.
I want to fix up some parts.
:20:22
It's very good, honey.
:20:25
Okay. I'll see you later.
:20:26
All right.
:20:28
- Have a nice night.
- Thank you, baby, you too.
:20:33
See you later.
:20:34
I can change "top of the heap."
:20:40
Bernice Conrad
and the Paul Wilson Orchestra.
:20:42
Oh, man.
What am I doing here?
:20:44
Oh, come on, honey.
we promised.
:20:48
You know.
:20:54
I can't do it.
:20:56
I can't do it, baby. I just...