:10:09
I hear you did some work in Negev.
:10:11
I didn't have a chance
to take enough pictures...
:10:15
...so I'm going back in two weeks
to shoot the border war.
:10:18
-And if she goes, I'm going with her.
-She will too.
:10:21
Like hell you will.
:10:26
-Whatever happened to beautif ul?
-Well, it certainly isn't here.
:10:32
That is tragic. Absolutely tragic.
:10:36
You really think so?
:10:38
Yes, I think it's really tragic
that this is the kind of junk...
:10:41
...that's passing for art these days.
:10:45
That's a completely
different conversation.
:10:48
-Don't you think it's a hype?
-I don't understand...
:10:51
Hype, hustle, rip-off.
:10:54
Are you a critic?
:10:59
Do you know the artist?
:11:01
What's her name?
:11:03
Laura Mars.
:11:06
I know her fairly well.
:11:09
Well, if you see her,
will you point her out to me?
:11:14
I'd be interested to find out...
:11:15
...what kind of f rustrated
voyeur type this chick is.
:11:21
She's nothing like that at all.
She's very old-fashioned.
:11:24
Sort of like Grandma Moses.
:11:29
Laura.
:11:31
Ex cuse me. Could I
steal you away for a moment?
:11:33
Are you her?
:11:38
Her stuff is really disgracef ul,
don't you think?
:11:42
Doris Spenser's
been horribly murdered.
:11:44
There's a detective here,
and he's asking people questions.
:11:49
Oh, shit!
:11:50
Everything happens to me.
:11:55
Murdered.
:11:59
Something about her eyes.