:30:01
She's got to go back to the
sanatarium, for a while at least.
:30:05
Oh, poor Joey. Poor Joey.
:30:09
She spent so much time with her,
and... I don't know. What's the point?
:30:12
We can't watch her constantly. There's
no way you can be with her all the time.
:30:20
How is Joey?
:30:22
I worry about her.
She seems to be floundering.
:30:25
I don't know. I guess she
hasn't found herself yet.
:30:28
Couldn't you help her?
She looks up to you.
:30:31
I do, Dad, I try. I try to be
supportive. I try to encourage her.
:30:35
I'm not criticizing,
:30:37
but it just seems to me there's always
been an antagonism between you two.
:30:41
Well, you know Joey.
She tends to be competitive with me.
:30:44
Well, you're very successful.
I think you kinda hold that over her.
:30:49
- Come on, Dad. That's not true.
- No, Renata, I'm not blind.
:30:53
I see what's going on.
You seclude yourself in Connecticut,
:30:57
acting the aloof artist,
and no one can get near you.
:31:00
I don't wanna discuss this right now.
:31:02
Just avoid the subject.
I'm upset. You're upset.
:31:07
Joey had such potential.
And now it's come to nothing.
:31:10
It's so typical. As usual, you're obsessed
with Joey while Mother is lying...
:31:14
Now, don't blame me for that.
:31:17
That's nobody's fault.
:31:24
- How's Frederick?
- Oh, fine.
:31:26
- He's going to be teaching at Barnard.
- Oh, how nice.
:31:29
I read something he wrote recently
in Sunday Times Review, I think.
:31:33
It was very nasty, but very funny.
:31:38
It's a giraffe - enormous.
Cory would love it.
:31:41
It's probably way too much money
but I'd like to buy her one.
:31:44
She's so cute. She sits and has
conversations with the television set.
:31:50
She's such a pretty thing.
:31:54
- How's Mike?
- Fine.
:31:56
We'd love to see you and Frederick.
:31:58
Oh, well, that'd be great, but it's
been sort of a rough week for me.