A Little Romance
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:31:02
I've accepted that transfer to Houston.
We're leaving next month.

:31:07
- We talked about that, and l...
- I know.

:31:10
I think we made the wrong decision.
For Lauren.

:31:14
And for us.
:31:16
Well, but...
But Houston's so... Well...

:31:20
Houston is so...
:31:26
Houston.
:31:28
Until about 500 B.C., the Greeks
perfected their carving techniques.

:31:33
You can see these statues are different
from those Egyptian statues...

:31:38
...in their depiction
of the human form.

:31:40
Praxiteles, for example, is a master.
:31:44
See how he really shows
the anatomy as it is.

:31:47
Notice the detail of the musculature.
:31:52
Over here, on the other hand,
we have Doriphor by Polyclitus...

:31:57
...and a perfectly splendid example
of the school of Athens...

:32:01
...the magnificent Torso of Apollo.
:32:05
The strength of Greek sculpture
is due...

:32:08
Have you ever seen a real one?
:32:11
One what?
:32:15
Sure.
:32:17
Whose? His?
:32:20
- Whose?
- You know, his. Daniel.

:32:26
Sure.
:32:28
God! Have you ever, you know?
:32:31
Done it?
:32:33
- All the time, every which way.
- God, Lauren!

:32:37
I would've preferred to have waited,
but you know the French.

:32:42
Works like this aren't mentioned
by the classical Greek...

:32:46
Where?
:32:47
- Where what?
- Did you do it?

:32:51
There's this old mattress in his cellar,
and we...

:32:54
God!
:32:56
As we come downstairs, we'll see
on our left the Apollo Belvedere.


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