:31:02
Sometimes,
:31:04
the audience rejects a movie
with great actors,
:31:08
great directors,
a lot of money,
:31:11
simple because it senses
its falseness.
:31:15
The audience cannot get
into the film
:31:19
into the story.
:31:23
THE MUSIC OF THE CANNIBALS
:31:30
I think he came to me.
:31:35
He wanted me to compose the music
for his movie.
:31:39
I didn't know him.
:31:42
When we met, I realized
:31:46
he was a very young director.
:31:49
He showed his work with
much enthusiasm.
:31:54
It's because it is this kind
of film which
:32:00
after 20 years ...
It was my first genre movie.
:32:04
20 years afterwards,
I understood that the director
:32:07
had been influenced
by Mondo Cane.
:32:12
I got that.
:32:14
He even actually confessed to me
that he deeply admired
:32:20
Gualtiero Jacopetti
and Prosperi,
:32:23
and that he had followed
everything that happened
:32:25
during the shooting of Mondo Cane.
:32:29
We talked about all that.
:32:32
When I saw his work,
I saw rightaway that it was
:32:36
interesting, beautiful and
well-shot.
:32:39
It was exactly the same kind of film
:32:44
as the ones I had done
20 years before.
:32:47
Then, I didn't want to do
:32:50
genre movies anymore.
:32:52
But as I saw that it was well-done
:32:55
and that he would be very pleased
if I did the music,