:47:04
You keep it inside yourself.
:47:10
It is half-way between a fiction
and a documentary.
:47:14
It pretends to give information
about reality.
:47:20
It is history.
:47:23
It is a hypothesis about history
:47:28
that is very close to truth.
:47:32
The audience feels that.
:47:36
That's the movie's strength.
:47:38
That's why in 30 years,
:47:41
it will be a document-movie.
:47:46
When we shoot,
as far as I'm concerned,
:47:51
we change.
:47:53
We adopt a perspective
:47:57
that is not the objective one
:48:00
of the audience watching
something horrible.
:48:03
We don't realize that.
:48:06
To put it differently:
:48:10
I'm afraid of heights.
:48:13
When I had to shoot
:48:16
from helicopters,
from planes,
:48:20
my eyes were on the camera,
so I didn't realize it.
:48:25
This professional deformation,
for me,
:48:29
prevented me to perceive clearly
:48:33
and objectively what
we were doing.
:48:38
The violence on people
was fictitious.
:48:42
It was proven afterwards.
:48:45
But unfortunately, not on animals.
:48:50
Scenes were planned this way.
:48:52
When one sees what happens
nowadays,
:48:56
during wars,
it's much worse.