:49:01
-I mean to college, the scholarship.
-I can't use it.
:49:04
-How come?
-William Morris has got big plans for me.
:49:07
-They saw me in that Senior Day show.
-You're kidding?
:49:09
-They wanna represent me.
-They're the biggest agents.
:49:13
-Yeah.
-Well, that's great!
:49:16
There's a couple of series
they think I'm right for.
:49:18
I've had a lot of really good meetings.
Everyone's very excited.
:49:22
That is so great!
I mean, Hollywood, that's like--
:49:25
Yeah. Well, here I go,
off into the sunset.
:49:30
Hey, good luck. Oh, sorry.
:49:33
I mean, break a leg,
or whatever they say.
:49:39
See you.
:49:41
Hey!
:49:44
We'll see you at Schwab's.
:49:49
Oh, God, Doris!
:50:04
She's new. I saw her arrive
in a limousine.
:50:06
A limousine? No kidding?
:50:10
-Man, I hope to fuck she's in drama.
-No way. Dance department.
:50:13
She's too beautiful. Look at that ass.
:50:15
-I don't know about her tits.
-What do you mean? What kind of tits?
:50:22
-Tits.... Pointy ones?
-She looks kind of flat.
:50:25
She's fucking gorgeous!
:50:26
Little-bitty ones
with nips like raisins?
:50:28
She's turning around. Look at that ass.
:50:31
-Oh, she is a dancer.
-Let me up. Let me up!
:50:38
Let me see, you fuckers.
:50:49
Last year, we worked
on simple observations.
:50:52
This year, we're going to turn
that observation inward...
:50:57
...and work on re-creating
emotional states: