1:10:03
if it was for my pleasure.
1:10:06
But it's not that.
I do it out of necessity.
1:10:09
When you would ask me, uh...
1:10:11
to have a prostitute in my, uh-
1:10:14
on my shooting location in the United States
or in Germany, it would be ridiculous...
1:10:19
but here, uh...
1:10:21
it is standard expectation
and standard behavior...
1:10:24
and somehow the -
1:10:27
I don't know.
The -The jungle sweats it out.
1:10:29
It's not even ob-obscene.
1:10:32
It is, uh...
1:10:35
probably some fertility
or whatever...
1:10:38
that's going on here in thejungle.
1:11:15
Estebán.
1:11:17
Be careful when we hit
so you don't fall off.
1:11:23
Boom.
1:11:25
Well, the boat that Fitzcarraldo
actually pulled across was only 30 tons.
1:11:29
- Yes.
- And how big is your boat?
1:11:31
Besides, they, uh, disassembled it
in about 14 or 15 parts...
1:11:37
and carried these parts individually
across a mountain.
1:11:41
And, um...
1:11:44
I find it much better to -
to leave it intact as it is.
1:11:47
Like this here.
And you can tell the difference -
1:11:50
that this is not a plastic boat
and that this -
1:11:53
that this slope here is no -
no joke at all.
1:11:57
The central metaphor of my film...
1:11:59
is that they haul a ship over
what's essentially an impossibly steep hill.