:52:01
...there's this whole procedure
l have to go through.
:52:04
l just want to hear the music, that's all.
:52:06
ls it too complicated to just keep
my records in the category?
:52:09
Just put the rock-and-roll
in with the rock-and-roll.
:52:12
Put the R & B in with the R & B.
:52:15
You're not going to put Charlie Parker
in with the rock-and-roll, would you?
:52:20
Would you?
:52:21
l don't know. Who is Charlie Parker?
:52:26
Jazz! Jazz!
:52:28
He was the greatest jazz saxophone player
that ever lived!
:52:33
What are you getting so crazy about?
:52:35
lt's just music. lt's not that big a deal.
:52:38
lt is. Don't you understand?
This is important to me.
:52:43
Shrevie, why do you yell at me?
:52:48
l never hear you yell at any of your friends.
:52:50
Look. Pick a record. Okay?
:52:53
-What?
-Just pick any record.
:52:55
Any record. Okay.
:52:57
What's the hit side?
:53:01
Good Golly Miss Molly.
:53:03
Now, ask me what's on the flip side.
:53:06
Why?
:53:08
Just ask me what's on the flip side. Okay?
:53:10
What is on the flip side?
:53:12
Hey, Hey, Hey, Hey. 1958.
Specialty Records.
:53:19
See, you don't ask me things like that.
You never ask me what's on the flip side.
:53:24
No. Because l don't give a shit.
:53:27
Who cares about what's on the flip side
of a record?
:53:30
l do.
:53:32
Every one of my records means something.
:53:35
The label. The producer.
The year it was made.
:53:38
Who was copying whose styles.
Who was expanding on that.
:53:42
Don't you understand?
:53:44
When l listen to my records...
:53:46
...they take me back to certain points
in my life. Okay?
:53:48
Just don't touch my records. Ever.
:53:53
The first time that l met you...
:53:55
...Modell's sister's high-school
graduation party. Right? 1955.
:53:59
And Ain't That A Shame was playing
when l walked in the door.