:38:02
Ah, think twice before closing up that story.
:38:06
Is this why you came back here?
:38:09
Who was it who said family life is an
interference of the private life?
:38:17
I can no longer think of myself,
nor at the film I want to make.
:38:23
How is this film?
:38:26
I don't know the story yet, that's why
I haven't spoken with you earlier.
:38:31
I know the main character is a woman.
:38:33
Excuse me, how do to know it is a
woman if you don't know the plot?
:38:38
Oh, just a feeling.
:38:41
A feeling she has female forms,
I don't know how to explain it to you.
:38:46
- Another love story.
- I haven't said that.
:38:48
I wonder what the point of a
love story is nowadays...
:38:52
in this decay, this corruption.
:38:58
But corruption is really the cement
that keeps our country together.
:39:01
And the corrupt ones are the first
who want see love stories.
:39:08
I am searching for a face.
:39:12
An idea of the character, but instead
she always enters my mind.
:39:21
And she won't do as a character?
:39:23
Who, Mavi? Mavi isn't the center
of my film, she is the center of me.
:39:28
And that's not the exact same thing?
- No.
:39:31
Searching for a character also means
searching for places, for facts.
:39:34
Why haven't you found them? Ah...
:39:40
- You're having a crisis?
- What crisis.
:39:49
Listen...
:39:51
We've argued many times, you and I.
:39:55
How many theories and discussions have we had,
and had again, during our conversations.
:39:59
And, while we speak, the world around us changes.