Sans soleil
prev.
play.
mark.
next.

:23:01
Meanwhile, I have no difficulty with local earthquakes.
:23:03
But I must say that last night's quake
helped me greatly to grasp a problem.

:23:09
Poetry is born of insecurity:
wandering Jews, quaking Japanese;

:23:17
by living on a rug that jesting nature
is ever ready to pull out from under them

:23:20
they've got into the habit of moving
about in a world of appearances: fragile, fleeting, revocable,

:23:24
of trains that fly from planet to planet,
of samurai fighting in an immutable past.

:23:30
That's called 'the impermanence of things.'
:24:01
I did it all.
:24:02
All the way to the evening shows for adults—so called.
:24:05
The same hypocrisy as in the comic strips,
but it's a coded hypocrisy.

:24:08
Censorship is not the mutilation of the show,
it is the show.

:24:12
The code is the message.
:24:14
It points to the absolute by hiding it.
:24:17
That's what religions have always done.
:24:33
That year, a new face appeared among the great ones
that blazon the streets of Tokyo: the Pope's.

:24:38
Treasures that had never left the Vatican were shown
on the seventh floor of the Sogo department store.

:24:44
He wrote me:
:24:45
curiosity of course, and the glimmer
of industrial espionage in the eye

:24:49
—I imagine them bringing out within two years time a more efficient
and less expensive version of Catholicism—

:24:56
but there's also the fascination associated with the sacred,
even when it's someone else's.


prev.
next.