:26:00
He was working for Victor
at the gallery's warehouse.
:26:04
l can't talk now,
l have to go upstairs.
:26:07
That's cool.
:26:09
l'll call you later on
and we'll get together and talk, OK?
:26:13
Sure.
:26:15
Be good.
:26:25
Hi. Delivery for Victor Maitland.
:26:28
l'll take it upstairs to him.
:26:30
Maybe l should give it to him myself.
:26:32
Deliveries should be left here.
:26:34
He has to get these flowers.
l'll go up myself.
:26:37
You're not supposed to.
:26:39
Floral delivery is my life.
l have to take it.
:26:42
- Who let you in?
- l let myself in.
:26:45
How you doing? l have some questions
about Michael Tandino.
:26:51
Speak to you later, darling.
:26:56
What, may l ask,
is your interest in Mr Tandino?
:26:59
He was my best friend. He visited me
in Detroit a couple of days ago.
:27:03
Soon after he got there,
someone killed him.
:27:06
Oh, my God. That's terrible.
:27:09
lt's fucked up.
:27:12
And? What do you wish to know?
:27:17
- He worked for you, didn't he?
- Yes, yes, he did.
:27:20
Good gracious!
:27:23
l'm really sorry to hear this.
Would you like to sit down?
:27:26
Can l get you anything?
:27:29
- No, l'm all right.
- How on earth did this happen?
:27:33
Detroit is a very violent city,
isn't it?
:27:39
Yeah.
:27:40
l do hope the police have procured
some intelligent leads.
:27:47
Exactly what did Mikey do for you?
:27:51
l'm sorry, l didn't catch your name.
:27:54
My name is Foley.
:27:56
Excuse me, Mr Foley,
if l appear a little rude,
:27:59
but this sounds like something
for the authorities in Detroit.