:26:02
They're shootin' at us.
:26:05
- Why don't you try Angola?
- There's no nightlife.
:26:08
l can get you out with Figueroa, John.
l got carte blanche with his elite unit.
:26:13
- You still got the deathmobile.
- Come on, Boyle.
:26:16
Wanna go out on a little dawn patrol?
:26:18
Or are you too big
of a media star these days?
:26:25
Let's go.
:26:26
EL PLAYON
DUMPSlTE FOR DEATH SQUAD VlCTlMS
:26:29
You haven't looked through a lens
in a while, have you, Rich?
:26:32
Come on, take some pictures.
There's fresh bodies up there.
:26:40
John, have you got a 24
or a 28 l could use?
:27:17
You know what made photographers
like Robert Capa great, Rich?
:27:22
They weren't after money.
:27:25
They captured the nobility
of human suffering.
:27:30
That was a great shot in Spain.
The one flying through the air.
:27:34
Yeah, but it was
more than the bodies, Richie.
:27:37
He got... why they died.
:27:41
That's what Capa caught.
He caught that moment of death.
:27:49
You're right up there with him, John.
You're in his league. You're the best.
:27:54
You gotta get close, Rich, to get the truth.
:27:59
You get too close, you die.