:01:02
Telling the truth
can be danger--
:01:05
Telling the truth can be dangerous
Business
:01:08
Telling the truth
can be dangerous business
:01:11
Why?
:01:13
Why?
:01:15
Why?
:01:16
Telling the truth
Can be dangerous business
:01:19
Because if yourself
You don't know why
:01:22
Huh?
:01:23
Well, l'm just giving you
what the idea is.
:01:25
[SlNGlNG]
:01:30
Oh, is that brilliant!
:01:52
[CAR HORN HONKS]
:01:55
MAN 2: Look at that,
Simon & Garfunk el's Greatest Hits.
:01:58
MAN 1 : Lyle, '' Dangerous Business'' is
as good as anything they ever wrote.
:02:01
You think so?
Sure.
:02:02
The only thing
that Simon & Garfunkel
or Bruce Springsteen
:02:04
or any of these guys have
that we don't have is an agent.
:02:07
You think so?
:02:08
'' Dangerous Business'' is as good
as '' Bridge Over Troubled Water''
any day of the week.
:02:11
You think so?
:02:12
l'm telling you, if we get an agent,
we get a record album.
:02:14
[PHONE RlNGS]
:02:17
Freed Talent Agency.
MAN: Mr. Freed,
:02:19
uh, this is Chuck Clark e
of Rogers & Clark e.
:02:21
Yeah?
:02:22
We're songwriters
and we're looking for an agent.
:02:24
Yeah.
:02:26
And we saw your ad in Variety.
We're gonna be at Song Mart
next Tuesday.
:02:29
And we've got a new song we think
is good enough for a record album.
:02:32
Uh-huh.
And we wondered
:02:33
if you'd have a chance to come down--
The Record Album?
:02:35
No, no, no, no.
At The Record Album?
:02:37
It's not called The Record Album.
It's called The Song Mart, sir.
:02:40
It's basically a try-out place
for new material.
:02:42
[MUSIC]
:02:45
[SlNGlNG]