:23:14
I had so many things
I wanted to say to you.
:23:16
Oh, well, it's, you know... There are
people coming over and people here, so...
:23:21
- I don't wanna be pushy.
- No, you're not pushy.
:23:24
I wish you'd been here
for the whole summer.
:23:27
Yeah, well, I couldn't.
I have obligations, too, so...
:23:31
What is that record? lt's terrific!
:23:33
It's Art Tatum and Ben Webster.
:23:37
- It's funny.
- What?
:23:39
I made a complete fool
out of myself when I met you.
:23:41
- No! You didn't.
- I remember carrying on at great length...
:23:45
..about writing and metaphor and choice.
:23:48
- I left no cliché unturned.
- No. Actually I just... No, I...
:23:53
I just thought you were so sweet.
:23:57
You reminded me of Paul,
the boy that I knew in Paris.
:24:02
- Really?
- Yeah.
:24:05
- Yeah.
- Well, I'm very flattered.
:24:07
Which one is Art Tatum
and which is Ben Webster?
:24:11
Art Tatum's the piano.
:24:14
See, and I always felt foolish
all the time because...
:24:18
- Why?
- ..I was very taken with you right off.
:24:20
I love all the music from that era. You
don't have any Benny Goodman, do you?
:24:25
Uh, not here.
:24:27
Or Coon-Sanders Nighthawks?
:24:31
- Now, please don't panic when I say this.
- No.
:24:34
I just think that you're incredibly lovely.
:24:39
Peter, don't. Don't, please.
Let's just stop this before it's too late.
:24:43
You know, I can't.
:24:46
I just... I just feel flushed
and... and my heart is pounding.
:24:51
- - Oh, there are the Richmonds.
:24:54
Get it, will you, Lloyd?
:24:59
- Oh, Howard!
- Oh, it's pouring out there.