Without a Clue
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:07:01
What have we here?
:07:02
Something's afoot.
:07:17
How many times have I told you
to stay away from my experiments?

:07:22
Something wrong?
:07:26
I seem to spend an increasing
amount of my precious time

:07:30
correcting your blunders,
both private and public!

:07:34
I see. It's the Clay case.
:07:36
You still in a snit over that?
:07:39
Well, if you want my opinion...
:07:42
I beg your pardon?
Opinion, did you say?

:07:44
Oh, my God.
Not that speech again.

:07:48
May I remind you,
for your information, sir,

:07:50
that your opinions are my opinions.
:07:52
Oh, piffle.
:07:54
I created the character
of Sherlock Holmes,

:07:57
and hired you
merely to play the part...

:08:00
snatching you from the gutter.
:08:01
Hardly the gutter, old boy.
:08:04
After all, I was once
an actor of note.

:08:07
Whose last play ran a total
of one-half of one performance.

:08:12
I'll have you know
Shadow of Death

:08:14
with Reginald Kincaid
:08:17
was a towering work,
decades ahead of its time.

:08:20
Lesson number two.
Advanced Bowing.

:08:23
My only regret was that it ended
before the climactic third-act duel.

:08:28
Too bad you didn't have
a chance to see it.

:08:31
I've no use for
theatrical swordplay.

:08:34
All I ask is that
you obey a few simple rules,

:08:37
not the least of which is,
:08:38
a case is not closed
until I say it's closed.

:08:41
I think you underestimate
my own native deductive abilities.

:08:45
Do you hear those footsteps?
:08:47
I'd say this was a woman
about five-feet-five,

:08:50
weight about
twelve-and-a-half stone,

:08:52
age fifty-four. VoilĂ .

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