:55:02
You?
:55:03
You'd become a nun?
:55:05
I would stop...
:55:08
What arrogance!
:55:09
From whom do you get it?
:55:12
Camille is not arrogant.
:55:15
She just won't settle for less...
:55:18
than she thinks she deserves.
:55:20
When she's violent...
:55:22
it's only because she's impassioned.
:55:24
As a child...
:55:26
...she used to model
human skeletons out of clay.
:55:31
Then she'd bake them in the oven.
:55:34
And she'd forget to eat and sleep.
:55:36
It was amazing.
:55:40
When she's touchy...
:55:42
it's because she's uncompromising.
:55:51
Monsieur Rodin must have
realized this.
:55:54
Isn't that so,
Monsieur Rodin?
:55:56
Ah, temperament!
:55:59
Where do we get our temperament?
:56:02
We don't know what it is...
:56:05
but we do know what it does!
:56:23
On the "Gates of Hell"
I'm three years behind.
:56:28
So, if I don't want to be
hounded by bureaucrats...
:56:33
I must have help.
I can't work alone.
:56:36
And Jessie Lipscomb
is leaving us for England.
:56:39
I need qualified artists.
Talented ones! And fast!
:56:43
No time to lose.
:56:45
Which brings me...
:56:47
to the pressing reason
for my visit here.
:56:53
I want Camille in Paris!
:56:56
Oh, yes.