:27:27
It's for the Japan House tonight.
:27:30
Listen, I'm sorry what
I said to you at the party.
:27:32
I-- I just get crazy.
:27:36
It's beautiful.
:27:38
Look, I can't go with you tonight.
I made other plans.
:27:40
- Oh, yeah?
- I'm going to the Blind Alley
with some girlfriends.
:27:44
Oh, yeah?
Who's, uh, at the Blind Alley?
:27:50
I just want to show him that I don't
give a damn any more, you know?
:27:53
I can go see him, see his stuff--
his stuff, like anybody else.
:27:59
Does that sound like
total horseshit, or what?
:28:01
No, absolutely not. I think, uh--
I think we should.
:28:04
I think we should show him
that life goes on, that he's
not even worth avoiding.
:28:08
I-- I think you have to go
right up in his face tonight.
:28:11
- I mean, right up in his face.
- I think I'd rather work.
:28:13
No, don't use work as an excuse.
Your work's sacred.
:28:16
- Yeah, well, maybe yours is.
- No, yours too. Yours too.
:28:19
Now, look, you go with your girlfriends,
you go with them...
:28:21
that's like a bunch of high school girls
with a crush on some boy.
:28:25
But if y-you walk in with me,
you make an entrance with
firepower, with dignity.
:28:31
- What about Japan House?
- Now, first comes our house.
:28:34
I don't know. I think-- I think
you should go right up in his face.
:28:41
See, I don't look for trouble.
I mean, but some people do, right?
:28:45
You know, they--
they, like, walk around, you know?
They-They-They--They're, like,
lookin' for a-- for a fight.
:28:49
Like, okay, I had this one guy one time.
He's walkin' down the street,
and he steps on my foot.
:28:53
All right, it was an accident.
He didn't mean it, right?
But he doesn't say anything.
:28:56
You know, so I said,
"Excuse me." Yeah?
:28:58
He turns around, he says,
"Yeah, what?"