1:10:02
The kids were cute though. Dennis,
I think, was just thrilled to be up so late.
1:10:07
But I really think Katie had a feel
for what was going on, you know?
1:10:11
- Why are you so nervous?
- I'm not. Why do you say nervous?
1:10:14
You keep talking.
I've heard this three times.
1:10:16
Really? Well, you know,
this is a big step for me.
1:10:19
I just feel... Shouldn't it happen
more gradually or something?
1:10:24
- It hasn't exactly been rushed.
- Rushed? I don't know.
1:10:27
It feels rushed. It feels rushed.
I've been married 15 years.
1:10:31
Probably I'm just out of practice.
1:10:33
It's not like juggling.
You don't have to practise.
1:10:35
I mean, Doug and I do have sex, but...
but not the way we used to.
1:10:39
Which is probably my fault. Somewhere
along the line I just lost interest.
1:10:44
Then he seemed to.
But probably because I did.
1:10:47
But I don't know why I did.
Anyway, we rarely seem to do it.
1:10:51
- Maybe he lost interest first.
- Sh. Sh.
1:10:53
- What?
- Relax.
1:10:55
What's relaxed? It's not even dark.
God, I prefer it when it's dark.
1:10:59
- Then you can't see anything.
- See?
1:11:02
I am going to be going on a diet.
1:11:11
Was I terrible?
1:11:14
You were the best.
1:11:24
Was I OK?
1:11:26
Yes.
1:11:36
Dialogue in fiction has two functions.
1:11:39
In the novel, to be read
to oneself as voices in the mind.
1:11:44
And in scripts and in plays,
to be read out loud.
1:11:49
So that what we're really
talking about here is...
1:11:52
...the two aspects
of the consciousness of words.
1:11:56
Internal and meditative in the novel...