:04:00
Your music.
:04:02
Oh, yes. Uh, right. Yes. Okay.
:04:09
- So what happens next?
- That's it.
:04:11
You don't even have to see him again.
:04:16
- You should take a look at that.
- Mm-hmm. Mm-hmm.
:04:20
That could potentially be a problem.
:04:23
Mm-hmm. Mm-hmm.
:04:35
Africa?
:04:37
Yes. That's where we met.
:04:41
And he's there now again.
:04:44
Uh, I wish he were here...
:04:46
but he's not.
:04:48
He'd love the apartment, though.
:04:51
He travels a great deal.
:04:53
But he's the quiet type.
We both are, really.
:04:57
What's he doing there?
:04:59
He's a composer.
:05:02
- African music.
- Not drums?
:05:05
We couldn't have someone
who played the drums here.
:05:09
Oh, no. No. He studies their music.
He's an academic.
:05:13
- He, himself, is not African?
- He's French.
:05:18
- Oh, oh, oh, French. Oh.
- Oh.
:05:21
What is this? "Green Guerillas. "
:05:24
Not some sort of an army, is it?
:05:26
It's a volunteer garden group,
Mrs. Bird.
:05:28
They do very good work
amongst the poor.
:05:30
And you'll notice that Mrs. Fauré
is also with our city parks department.
:05:34
Uh, we did have problems
with a recent tenant...
:05:36
a single gentleman, uh, who, uh,
neglected the responsibilities...
:05:41
associated with 12-F.
:05:44
Mmm, that's why the board feels...
:05:45
that a young married couple
would be more suitable.
:05:48
Well, I think it's the fact that
Mrs. Fauré is a horticulturist
that's very much in her favor.
:05:53
- Yes, but it is highly irregular to give
our approval without meeting Mr. Fauré.
- I like the couple from the bank.
:05:58
- Not the one with the dog.
- Look, I'm very aware of the situation.