:22:01
- Shooting elephants.
- Oh.
:22:03
- With a camera.
- Ah, a camera.
- Oh!
- Of course.
:22:06
And he brought me back some plants.
Some violets. African violets.
:22:09
- The violets.
- Mm.
- Mm-hmm.
:22:12
And, uh, where did you live,
Mr. Fauré, before the marriage?
:22:16
Oh, all over the place, you see, um...
:22:20
In the park, one night.
:22:24
- And, uh, where do you work?
- Pardon?
:22:27
My husband's a composer. He's working
on an important composition right now...
:22:31
based on his African research.
:22:33
A composer?
We don't, uh, have a note of that.
:22:37
And, uh, you write, what?
:22:39
Uh, rock 'n' roll?
:22:42
Ballet. I write for the ballet.
:22:45
Ballet.
:22:47
Your statement
on your passport application
said you had no criminal convictions.
:22:52
Is that a true and correct statement?
:22:54
Of course.
:22:56
You speak French, Mrs. Fauré?
:22:58
Not really. Not exactly.
:23:02
No barrier to love, though, hmm?
:23:07
Well, that about does it.
:23:11
We're sorry to have troubled you.
:23:13
There's been a major clampdown
on illegal aliens...
:23:15
marrying for residency status
and a green card.
:23:20
It's come down from the top.
The White House.
:23:24
Well, you don't want
to get the wrong type.
:23:27
- Precisely.
- We understand.
:23:31
As a matter of curiosity,
how did you two meet?
:23:35
I'm sure it was very romantic.
:23:41
- We... You go ahead.
- Well, uh... No, you, please.
:23:43
- We just...
- Please, you... We sort of crashed
into each other. Boom!
:23:46
- Like that.
- Goodness.
:23:48
- Yes, I was, uh, carrying
a lot of parcels, and...
- Parcels?
:23:51
- Yes, parcels.
And then I-I picked them up, and...
- A-A-And... And Anton...
:23:54
- Don't forget about Anton.
- Ah, Anton, yes.
:23:56
- He was with Georges, and I knew him.
- Anton, yes. Yes, he also helped
pick up the parcels.
:23:59
Yes, but the point is, darling,
is that he introduced us.