:40:04
All right, all right.
Anything. Just do something.
:40:07
We have to get her into pants, not
shorts. The tops of her legs are....
:40:12
Bulbous. She has cellulite.
:40:14
l wish we could get her
to stop eating so much.
:40:17
l guess having given up drugs,
she has to do something.
:40:20
You think we can get her
to start smoking?
:40:23
What are we going to do
about the bed scene?
:40:27
Cheat the angle, l presume.
:40:29
Her breasts are rather
out of shape, aren't they?
:40:34
lf you have her on her back,
as the script indicates...
:40:39
...her tits will move off
into her armpits.
:40:42
How very unpleasant.
:40:44
Well, perhaps you should
buy a camisole.
:40:47
l had no idea she was so
out of shape when l hired her.
:40:51
But we wouldn't have got her
if she was in her prime.
:40:54
lf you'll forgive me, with her
reputation she's lucky to have a job.
:40:59
She pretty much destroyed her career.
This is a break for her.
:41:03
You're right.
:41:04
lt's sad, though, isn't it? She was
so good in A Night Full of Shoes.
:41:09
l hope it's not
too much trouble for you.
:41:12
l'm almost sorry
we didn't get Valerie Rogers.
:41:15
Valerie has a terrific body.
:41:20
Oh, well. See you.
:41:32
George Lazan, executive producer
of Kitchen Sink...
:41:35
...and now, L.A. Beat.
How are you?
:41:37
Fine.
:41:40
-Suzanne.
-Vale. l know.
:41:43
Have l caught you at a bad time?
:41:46
l saw the rushes.
And frankly, you're holding back.
:41:51
-What seems to be the problem?
-The problem--
:41:56
The problem is that hundreds
of people have talked with me...