:21:00
Pete! Where's John? Why isn't he here?
:21:03
l'm going back to London
on the next flight, Paul.
:21:06
What happened? Where's John?
Where's the script?
:21:09
-l sent you the script. Didn't you get it?
-l got half of it.
:21:13
-There's only one copy?
-No. John has the original.
:21:16
lf he hasn't lost it,
which he probably has.
:21:19
-How are you, Pete?
-Hi.
:21:20
-Where's the ogre?
-He's out scouting locations.
:21:25
l hope you boys have
improved the script.
:21:27
What Kay means is,
is her part gonna get bigger?
:21:30
Not at all. l don't mind if you do
the talking and l don't say a word.
:21:34
As long as l get to play
a real human being.
:21:37
Beautiful, Kay. Come with me.
Come this way. To the side.
:21:40
Mr. Duncan! Can we have one of you
with your new bride?
:21:43
How do you want it, boys?
Passionate or domestic?
:21:47
Can we have a kiss?
:21:50
Thank you very much.
:22:09
Peter, think. Think what will happen
to the morale of the company if you go back.
:22:15
They'll think something terrible is wrong.
l can't start a picture that way.
:22:20
Paul, don't you understand? Something
terrible is wrong! The man has the fever.
:22:26
lt's just like any passion.
lt's irresponsible and it's destructive!
:22:32
l understand how you feel, but we've got
a picture to make. You've got to stay.
:22:38
You've got to help me get him back. lf he's
not back in three days, we'll all be ruined.
:22:45
Apologize to him.
:22:49
Go on, apologize to him.
:22:58
No. l won't apologize to him, Paul,
but l'll tell you what l will do.