:11:03
It's so personal
:11:05
That no one
:11:07
No one in their right mind
:11:10
Would touch him with a ten-foot pole
:11:14
With a six-foot pole With a six-inch pole
:11:17
Well, maybe a six-inch
:11:19
That's a disturbed young man with a tan
:11:24
And problems so deep
:11:28
And so personal torturing himself
:11:30
With a tan and so personal
:11:33
Past the Conoco, the Abel's
:11:35
Who's that man with a tan
:11:37
That's a disturbed young man with a tan
:11:50
"Number three: Opportunistic celibacy.
:11:53
"Number four: Renunciation of all human endeavor.
:11:56
"And the fifth and final pillar of euphoria:
:11:58
"A full-circle, aesthetic reevaluation.
:12:03
"My current response to every worldwide or personal tragedy is:
:12:06
"It's disgusting.
:12:08
I love it. I hope it gets even worse. "
:12:15
Okay. I'm Dostoyevsky. You're Anna. We're writing The Gambler.
:12:19
Take my dictation.
:12:22
Who's ever written the great work about the immense effort required...
:12:25
in order not to create?
:12:28
Intensity without mastery.
:12:32
The obsessiveness of the utterly passive.
:12:34
And could it be that in this passivity...
:12:36
- I shall find my freedom? - Well, I'm headin' over there.
:12:38
Hey, man. What are you doing? You're supposed to be getting this down. It
:12:41
was pretty good there.
:12:42
- You seen Gary around? - No.
:12:44
- Does he still live in the same place? - I told you. No one's seen him for
:12:46
months.
:12:47
- Well, later. - What was that obsessiveness line again?
:12:50
- Obsessiveness without personality? - What are you talking about?
:12:56
Excuse me.
:12:58
Say, pal! Did I overhear you say you got a friend that's missing?