:56:01
- Remember, it's a dog.
- Who's Claire "The Clown" Kane?
:56:05
What are you doing
looking in my pockets?
:56:06
What are you doing with her
driver's license and telephone number?
:56:12
You wanna know?
I'll tell you.
:56:14
Claire Kane, a.k.a.
"The Clown"...
:56:18
is a bunco artist
wanted in three states.
:56:21
I have her phone number because I'm
running a sting operation. Now you know.
:56:26
And now, unfortunately...
:56:28
I have compromised your safety
and the children's safety.
:56:32
Are you happy now?
:56:41
There is a...
a hard, heavy physicality...
:56:44
in my new paintings.
:56:46
In part because I've executed them
on large panels of wood...
:56:50
but I'd say that
they're tempered by the...
:56:53
- Oh. Sorry.
- Sorry.
:56:55
Um, tempered by the
ephemeral use of color.
:56:58
You could almost say that
it's beyond natural color.
:57:00
What are they about?
:57:02
Well...
:57:04
I think they're about seeing...
:57:06
and the responsibility
that comes with that.
:57:09
- Okay.
- And call next week.
:57:12
- Thanks. Thank you very much.
- Bye.
:57:15
Bye-bye.
:57:18
Who was that? Sherri?
:57:20
No, that was David...
:57:23
at the gallery.
:57:25
Oh. David at the gallery.
:57:27
I'm hoping to get
a show there.
:57:30
Is this "David at the gallery" going to be
another Mitchell Anderson in our lives?
:57:35
What's that supposed to mean?
:57:36
Well, that's the sort of stuff you two
used to blather on about, isn't it?
:57:40
What are you talking about?
:57:43
The lousy painter. The one who never
sold anything. Mitchell Anderson.
:57:49
Just because he never sold anything
doesn't mean he was a lousy painter.
:57:53
So you've said.
:57:54
Well, it's true.
:57:56
You know,
scientifically speaking, Marian...
:57:59
there's no such thing as
"beyond natural color".