:51:02
- What's the problem?
Are you gonna do some more rewrites?
- Sit down. Take a load off your feet.
:51:06
- Moe, go on. Come here. Get him a beer.
- Why not?
:51:10
- [ Violet ] He's a writer?
- Yeah.
:51:12
- I didn't know you knew writers.
- Do me a favor. Shut up.
:51:15
Don't tell me
to shut up.
:51:17
All right,
number one.
:51:20
See, I don't believe she loves
the guy right from the start.
:51:23
She's too on, uh, top of him
all the time. That's not love.
:51:27
That's like keeping somebody in prison.
But if you changed it, right?
:51:30
And she left him,
then she would feel so bad about it...
:51:33
- that she would have the
nervous breakdown and go nuts.
- [ Music Stops, Applause ]
:51:37
- How ya doin', Cheech?
- Tulio, listen, I gotta see you later.
:51:40
- I wanna get down on the Cardinals
for the doubleheader, all right?
- You got it.
:51:44
- Them birds look good.
- Teach your friend some manners
and get him outta here.
:51:48
- All right, so--
- You were-- You were talking about--
:51:51
Right, all right.
So, now...
:51:53
if the doctor feels what Sylvia's
feelin'-- That's her name, Sylvia.
:51:57
- There's a Sylvia in my neighborhood.
- Oh, yeah?
:52:00
-Yeah. What was her name? Sylvia Pincus.
-Sylvia Pincus.
:52:03
Sylvia Pincus. Big, fat Jewish broad,
had a little tiny husband.
:52:06
She chopped him up with an ax and mailed
his pieces all over the country.
:52:09
I don't know what
she was tryin' to prove.
:52:11
That's disgusting. You gotta
tell that story in front of me?
:52:13
- Relax.
- You know I got a weak stomach.
:52:15
- You were tellin' me
about the play a minute ago.
- Don't interrupt me.
:52:18
- You were sayin' about Sylvia?
- Right. So if the doctor feels
what Sylvia's feelin'--
:52:21
- Uh-huh.
- Know what I mean?
:52:23
Yeah. She identifies
with her patient, a bit.
:52:26
Right. This way when she gets jealous,
it makes sense.
:52:30
- Right.
- Uh-huh.
:52:32
There's gotta be a time when the
Lieutenant has it out with the doctor.
:52:34
Why isn't that in there?
:52:36
You're talking about a whole
different direction for the play.
:52:39
Definitely.
:52:42
Think about it.
:52:44
How would the audience know
Sylvia was feeling guilty? lf--
:52:48
Oh. I don't know.
:52:50
Wait a minute.
Yeah. Wait.
:52:52
You could work it out with maybe you--
you hear what she's thinkin'.
:52:56
-You mean she speaks her thoughts aloud?
-Sure, why not? It's a play anyhow.
:52:59
It don't have to be real,
but it'll be stronger.