1:42:01
Yes, now.
Lurk him.
1:42:09
Be sure and keep
your face covered.
1:42:19
Isn't it wonderful?.
Bela lives.
1:42:22
Doesn't it strike you
as a bit morbid?.
1:42:25
No. He would've loved it.
1:42:27
Bela's returned
from the grave.
1:42:29
Just like Dracula.
Cue Vampira.
1:42:43
- [ Screaming ]
- Cut!
1:42:46
Let's go down and fiind out
whose grave it is.
1:42:49
Oh, why do I always get hooked up
with these spook details?.
1:42:52
Monsters, graves, bodies!
1:42:54
Cue flying saucer.
1:42:56
[ Whirring Sound,
Squeaking]
1:43:01
And cut! Print.
We're moving on.
1:43:04
- That was perfect.
- Perfect?. Mr Wood...
1:43:07
do you know anything about
the art of film production?.
1:43:10
Well, I like
to think so.
1:43:12
That cardboard headstone
tipped over.
1:43:14
This graveyard
is obviously phoney.
1:43:18
Nobody will ever
notice that.
1:43:20
Filmmaking is not about the tiny
details. It's about the big picture.
1:43:22
- [Reynolds] The big picture?
- Yes.
1:43:24
How about when the policemen arrived in
daylight, but now it's suddenly night?.
1:43:28
What do you know?. Haven't you
heard of suspension of disbelief?.
1:43:31
Reverend, I'm here.
1:43:33
- Oh. [ Chuckling ]
- Who is he?.
1:43:35
This is our choir director.
1:43:38
He's gonna play
the young hero.
1:43:43
Are you people insane?.
I'm the director!
1:43:46
I make the casting decisions
around here!
1:43:49
I thought this was
a group effort.
1:43:51
No!
1:43:55
No?.
1:43:56
They're driving me crazy!