:36:01
Hören sie, wir müssen
über diesen film sprechen.
:36:04
Es ist sehr wichtig.
Ich meine,
:36:05
warum bin ich so weit
hier angereist, ja?
:36:15
Excuse me, miss.
:36:17
Would you care
for your breakfast now?
:36:19
I feel a bit hungry.
:36:23
Okay.
:36:28
Road food!
How did you know?
:36:32
Well, it is a change of the usual
grapefruit and melba toast, I'm sure.
:36:35
"Compliments
of Bonanza Jellybean."
:36:38
She'll be up
to see you directly.
:36:50
Yep?
:36:53
Welcome, partner!
:36:56
You seem to know
who I am.
:36:58
Maybe even what I am.
:37:01
Thanks
for the breakfast.
:37:03
Oh I know about
Sissy Hankshaw, all right.
:37:05
I've done a little
hitchhiking myself.
:37:08
I'd heard tales
about you
:37:10
from people I'd meet
in jail cells and truck stops.
:37:12
Jail cells?
:37:14
I heard about your, uh...
wonderful thumbs.
:37:17
Hm...
:37:19
Well, you may claim that
I have an unfair advantage,
:37:22
but no more so
than Nijinsky,
:37:26
whose reputation as the world's
most incomparable dancer
:37:28
is untainted by the fact
that his feet were abnormal...
:37:30
havin' the bone structure
of bird feet.
:37:33
Nature built Nijinsky
to dance,
:37:35
me to direct traffic.
:37:53
The example of your life
:37:55
has helped me in my struggle
to be a cowgirl.
:37:58
- Tell me about it.
- About what?