:39:10
This is good. This Mr Lovejoy...
:39:14
It needs a better ending, but yes,
I see why Harry wants to do it.
:39:20
I knew he was lying,
saying this wasn't any good,
:39:24
but holding on to it,
like you'd have to break his fingers!
:39:28
That's funny. I was thinking
what I'd have to break of yours.
:39:33
I'm explaining why I'm here,
:39:35
in case you thought I came to rob
any of this dusty old shit.
:39:41
I wouldn't make you out
to be a burglar.
:39:44
Harry called you his associate.
What does that mean?
:39:46
I never heard your name,
or read it in Variety or any place.
:39:51
I'm his associate.
:39:53
You must bring
something heavy to the deal.
:39:55
I do. Me.
:39:57
It says here
you're getting Martin Weir.
:40:00
That's right.
:40:02
Come on.
How you gonna do that?
:40:04
I'm gonna take a gun, put it to his head,
:40:07
I'm gonna say "Sign, Martin,
or you're dead."
:40:11
I wonder, would that work?
:40:13
You know who I see as Al Roxy?
Harvey Keitel.
:40:18
He was good in that movie Fingers.
:40:21
You know who else? Morgan Freeman.
:40:23
Morgan Freeman.
But he's a colored guy.
:40:27
So what? Where does it say
the man's got to be white?
:40:32
Color's what the part needs, man.
You need somebody with some style.
:40:37
So what do you think of the script?
:40:43
The first thing that's got to go
is the title.
:40:46
Murray Saffrin would be better
than Lovejoy.
:40:48
I'm with you on that.
:40:51
Why don't you and I sit down,
write the script over where it needs it.
:40:57
You could write one of these?
:40:58
Nothing to it. You get an idea,
set it down on paper,