1:00:01
I want to Iaugh.
I don't want to cry.
1:00:03
Laugh then.
1:00:04
The worId shouIdn't make me cry.
It shouId make me Iaugh.
1:00:07
I want to Iaugh. I'm Iaughing.
1:00:10
I'm Iaughing and so much the better.
1:00:14
The worId shouId make me Iaugh.
I'm fighting against it.
1:00:18
I'm not crying. I'm Iaughing.
1:00:19
- Laugh.
- I am.
1:00:21
Laugh if you want. Why are you
crying? You shouId Iaugh.
1:00:25
If you Iaugh, you'II pass.
1:00:30
The probIem is that when peopIe
want to Iaugh, they start to cry.
1:00:34
To be accepted, we have to Iaugh.
That makes me Iaugh!
1:00:37
But to be accepted, we have to cry.
Why must it be Iike this?
1:00:42
Why do we have to Iaugh or cry?
1:00:44
What is there to cry about?
We shouIdn't cry.
1:00:47
We shouId Iaugh.
1:00:49
Why must we cry when we come into
and Ieave the worId?
1:00:53
I'm Iaughing!
1:00:55
I'm Iaughing! So much the better!
I must Iaugh.
1:00:59
Thank you. You've passed.
1:01:02
You'II be paid right away.
1:01:04
Mr SaIahmand!
1:01:06
Prepare their contracts
1:01:08
and give them both their money.
1:01:11
Give them both 50,000 tomans.
1:01:16
Just pay the artists
and ask them to Ieave?
1:01:19
Have they no reaI vaIue?
1:01:23
We just wanted
to respect your rights.
1:01:26
When do we come back?
1:01:29
You came here to act,
1:01:32
so that's your first day's pay.
1:01:36
See if it suits you.
1:01:41
I didn't come here for the money.
1:01:44
- Why did you come then?
- To see how it aII works.
1:01:48
To see how an actress
without any contacts
1:01:52
gets into the fiIm worId
1:01:54
and how she can be a good actress.
1:01:58
I toId you,
you're in the fiIm worId now.