:13:00
Allright, hit it.
:13:01
Hold it. Ready?
:13:03
Good. One more, please.
:13:05
Allright. Hit it.
:13:07
Hold it. Ready?
:13:09
Very good, Marion.
One more, please. Last one.
:13:12
Allright, here we go.
:13:13
Hit it.
:13:14
Hold it. Ready.
:13:16
OK, that's it. That ought to do.
:13:36
- Quite through?
- Thank you. You've been wonderful.
:13:39
We'll mention the shop
in the magazine.
:13:41
Don't you dare!
:13:42
Taxi!
:13:46
Oh, no!
:13:52
Hello there.
:13:54
I stayed to help you
put these back.
:13:56
I didn't realise we made such a mess.
:13:58
Which shelf for materialism?
:14:01
Just hand them to me.
:14:04
Oh, no.
:14:09
You should be ashamed of yourself.
:14:11
We don't usually barge in that way.
:14:13
I mean a man of your ability
wasting his time
:14:16
photographing silly dresses
on silly women.
:14:20
Most people think they're
beautiful dresses on beautiful women.
:14:24
At most, a synthetic beauty.
:14:27
Trees are beautiful.
:14:31
Why don't you photograph trees?
:14:33
I do what I do for a living.
It has to do with supply and demand.
:14:36
You'd be amazed how small
the demand is for pictures of trees.
:14:39
My work is pleasant,
the pay is excellent,
:14:42
and I get a trip to Paris every year.
:14:44
I certainly envy you that.
:14:45
I'd be in Paris now
if I could afford it.
:14:51
You'd have a ball.
:14:52
You'd go to a party every night,
drink champagne,
:14:55
swim in perfume, and a new love
affair every hour on the hour.
:14:58
If I went to Paris, it would be
to go to Emile Flostre's lectures.