:25:00
And I see no functional advantage
in a marvellous mouth.
:25:05
I'm leaving now, and if anyone
makes a move to stop me
:25:08
there'll be plenty of hair cut,
and it won't be mine.
:25:14
Bring her back, girls, alive!
:25:22
Hurry up.
:25:26
Hurry. Over here.
:25:35
Hey,
didn't you see that light outside?
:25:39
In desperation, one does not examine
one's avenue of escape.
:25:42
Oh, it's you.
:25:46
I'm sorry if I spoiled a print.
:25:48
That's alright.
What's all the desperation about?
:25:52
Those people.
:25:54
They don't care about
anyone's feelings.
:25:57
Pulling my clothes
and cutting my hair.
:26:00
Is that girl in there?
:26:03
Don't give me away.
:26:05
Maybe you should give them
a chance...
:26:07
There was no one here when I came in.
:26:10
If you see her, hang on to her.
:26:13
I'll do that.
:26:16
I'm afraid it's all my fault.
I thought you'd make a good model.
:26:22
This is your idea?
:26:23
Yeah, I'm the one you sue.
:26:25
Oh, how could I be a model?
:26:28
I have no illusions about my looks.
I think my face is funny.
:26:32
That's what Maggie said.
:26:33
I hate to admit it,
but she's right.
:26:35
What you call funny,
I call interesting.
:26:41
It's too ridiculous
even to think about.
:26:44
- I couldn't do it.
- Let me be the judge of that.
:26:48
I wouldn't take you to Paris
if I didn't think you'd work out.
:26:52
- Paris?
- Yeah. Look at it this way.
:26:55
Modelling
may not be as bad as you think.
:26:58
If it is, you'll be in Paris.
You can see your Professor Whosis.