:20:00
- Nice meetin' ya.
- Yeah, nice meeting you, buddy.
:20:03
[Barking, Growling]
:20:06
That is one
odd-looking woman.
:20:08
Don't get any ideas, Caszatt,
That girl's got too much class for you.
:20:11
- [Sobbing]
- Sweetie.
:20:14
- Look, my...
- [Sniffling]
:20:18
my manager's
out there tonight.
:20:20
Joel. I told you
about him.
:20:22
Just forget
about Eddie for a while.
:20:24
Just forget about it.
Go out there and sing your song.
:20:27
Okay?
:20:30
I'm okay.
:20:32
I'm okay.
:20:41
# Nobody knows #
:20:45
# The way I feel
this mornin' #
:20:50
Wow, Joel, aren't they
just the most?
:20:53
They'd make
terrific backup singers.
:20:55
[Contemptuously]
Backup singers.
:20:57
Thanks, Caszatt.
You're a doll.
:21:00
## [Continues]
:21:06
- I really like that song
you did for the Stylettes.
- You really like it?
:21:12
Well, it's
very commercial.
:21:14
And, you know, even with
Negroes singin' it, it's very white.
:21:17
- ## [Continues]
- What?
:21:19
Because it didn't deal
with the real nightmares,
:21:22
like unemployment,
that cripple male egos.
:21:24
Which, I suspect, is the true reason why
romance is so tortured for these people.
:21:28
You were goin'
for a mass audience.
:21:30
And the lyrics,
well, a little sentimental.
:21:33
- I gotta hand it to you.
They really do work. They do.
- [Laughing]
:21:37
If anything, it suffers most
from a shoddy arrangement.
:21:40
So what exactly did you like about
my record? The thickness of the vinyl?
:21:45
[Laughing]
:21:47
By the way, I did that shoddy
arrangement that you were describing.
:21:51
- You're a horse's ass.
- Hey! Hey!
:21:54
- What did you do to her, Caszatt?
- Nothing. She went nuts.
:21:57
## [Continues]