:21:05
That's great, Jay.
Thanks. Thanks a lot.
:21:10
I love you!
:21:12
- I'm gonna do something.
- Watch it.
:21:14
## ["Groovin' On You"]
:21:16
- # I've been groovin' on you
for an hour or two #
- # An hour or two #
:21:20
# Thinkin' of a way
I can get to you #
:21:24
Come on, girls, this is meant to be
upbeat, not uptight!
:21:27
Get happy!
:21:30
# How can I get #
:21:34
- # Through to you #
- # Before the
other girls do #
:21:37
- # How can I get #
- [Cheryl] Yeah, yeah, yeah, see?
:21:41
# Through to you #
:21:43
- # Before the
other girls do #
- # How can I get #
:21:47
- What?
- What?
:21:49
No, it's good.
It's good.
:21:51
- # How can I get #
- [Sighing]
:21:54
## ["Bermuda"]
# I see his eyes #
:21:58
# In the water blue #
:22:01
# I see his hair #
:22:04
- # In the glowing sunlight #
- Jay?
:22:08
# A vision clear #
:22:10
- Luma?
- # Calling me near #
:22:15
# In Bermudian waters
Oh, so clear and cold #
:22:20
- [Crying]
- Annie, open the goddamn door.
:22:23
[Knocking]
Annie, what the hell is this?
:22:28
- Okay, what is happening?
- Your man flipped his lid.
:22:31
Only this time,
he lost the kids.
:22:33
- Jay?
- Yeah, Jay.
:22:35
He took them to the museum
and he came home without them.
:22:37
- Have you called the police?
- Yes, I called the police
and the kids are okay.
:22:42
They found them hiding in
some old ice cream truck in the museum.
:22:44
Okay, fine.
Why didn't you call me?
:22:47
You were on the set!
I couldn't reach you!
:22:49
All right.
:22:51
Oh, and by the way,
he lost my child too, Denise.
:22:54
- I understand, Annie.
- No, you don't.
:22:56
Where is Jay?
:22:58
He just tore up the place and
dragged the mattress into the studio.