Looking for Richard
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:17:01
- Of course.
- I'll basically be running the country.

:17:04
PACINO: One person 's standing
in their way: Lord Hastings.

:17:09
Hastings loves this kid, the prince.
:17:11
He really wants him to be
the next king.

:17:14
Though the kid's in the Tower,
he believes he will be.

:17:17
KIMBALL: He's tough.
PACINO: Tough Guy Hastings.

:17:19
He was the former king's
closest friend.

:17:21
They even shared a mistress.
Mistress Shore. Who is she?

:17:26
KIMBALL: She's Shakespeare's device
to connect Hastings and the king.

:17:29
- They share the same woman.
PACINO: Good idea.

:17:34
Hastings is a great threat
to Richard and Buckingham.

:17:37
KIMBALL: He can stop them,
so they have to stop him.

:17:40
SPACEY:
What shall we do...

:17:43
...if we perceive Lord Hastings
will not yield to our complots?

:17:49
Chop off his head.
:17:51
CONWAY:
What are you talking about, Richard?

:17:54
You mean Richard wear the crown?
:17:57
BRYGGMAN:
I think it's the only way.

:18:00
- Think about it.
- Let me tell you something.

:18:03
I'll have this crown...
:18:06
...this crown ripped off...
:18:09
...and shoved into a cow's belly...
:18:12
...before I would allow that scum
to defile the crown...

:18:16
...by putting it on his head.
:18:18
SCHOLAR 3: The text is only a means
of expressing what's behind the text.

:18:24
If you get obsessed with the text...
This is a barrier to American actors...

:18:29
...who get obsessed with the British
way of regarding a text.

:18:33
That isn't what matters. What matters
is that you have to penetrate...

:18:37
...into what, at every moment,
it's about.

:18:40
So at this point, Hastings does not
take the threat of Richard seriously?

:18:46
KIMBALL:
Absolutely not.

:18:48
Anything can go on.
You think that this guy...?

:18:51
PACINO: So now we've got Stanley.
Lord Stanley.

:18:53
He's a friend of Hastings
and he's trying to convince him...

:18:57
... they should get out of the country
because Richard's planning a takeover.


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