:37:01
Oh, it's not it, is it?.
:37:03
You have to know your lines backwards
and forwards
:37:06
so you can throw away the words
and speak the soul!
:37:10
If you arrive on the set unprepared,
you are guaranteed to fail!
:37:14
And if you fail, I will be crucified.
:37:19
I'm sorry, Natasha.
:37:26
I am trying to love you, but sometimes
you make it so difficult.
:37:34
You don't have to love me, Natasha.
:37:37
Just teach me.
:37:39
When you left you broke my heart.
:37:43
Because I never thought we'd part.
:37:47
Every hour in the day,
you will hear me say,
:37:52
"Baby won't you please come home?. "
:37:56
Your vocal range is tiny,
:37:57
your volume is small
and your phrasing is...is trite.
:38:01
Altogether it's pretty terrible.
But not hopeless.
:38:06
Is isn't?.
:38:07
No. You can... You can carry a tune.
:38:10
Not...
not very far but you can carry one.
:38:12
And the sound engineers can bring up
your volume when you record.
:38:15
And you do manage to create
the illusion that
:38:17
you actually know how to sing.
:38:21
I do?.
:38:24
Yes. Uh...
:38:27
So, let's take the last verse again.
:38:28
Try and slow it down a little bit,
alright?.
:38:31
Play with the rhythms.
:38:33
Like this...Uh...
:38:35
"Every hour in the day,
you will hear me say Baaaabeeee,
:38:43
won't you pul-eeze come hommmmme?. "
:38:49
It's...it's uh...It's called phrasing.
:38:52
Have some fun with it Alright?.
:38:56
Got it?.