:58:02
Chopinzee.
:58:05
I've seen enough
to suggest...
:58:06
that he can make the finaIs
in the concerto triaIs.
:58:10
What have you seen,
CeciI?
:58:13
Moments of genius.
:58:15
Genius?
:58:18
ReaIIy.
:58:27
Come on, David.
:58:29
BoIdness of attack.
:58:33
DiabIerie.
:58:35
The deviI, David.
:58:37
Mustn't break the piano.
:58:39
Liszt broke
pIenty of strings.
:58:41
Right. Right.
:58:45
Come on.
:58:46
FiII in for this
useIess arm of mine.
:58:49
The notes first.
:58:51
The interpretation
comes on top of them.
:58:54
On top, yes. Yes.
:58:55
You agree, do you?
:58:56
Oh, yes. I aIways agree,
Professor.
:58:59
Is that wise?
:59:01
I--I don't know.
Is it?
:59:04
Don't forget.
It's on the page.
:59:08
Yes. WeII, the...the notes
are on the page,
:59:12
but, uh, not the feeIing,
the emotion.
:59:15
That's what I feeI.
:59:16
You mustn't sacrifice
everything to emotion.
:59:19
It's aII a question
of baIance.
:59:22
Ah, yes. Is that the question,
Professor?
:59:25
PreciseIy.
:59:27
Ah. I thought so.
That's what I thought.
:59:48
Mr. HeIfgott!
:59:50
Your aIIowance check!
:59:52
Thank you, Mr. Right.
:59:53
Sorry. Sorry. Sorry.
:59:55
I'II just stand stiII
if you Iike.
:59:58
Be carefuI, David.