1:08:00
- What's the matter?
- Nothing.
1:08:03
I didn't realise what it would be like
coming back to the studio.
1:08:07
- I'd no idea how much I missed it.
- We've missed you, too.
1:08:11
We'll be working again.
We'll make our greatest picture.
1:08:14
- I want to talk to you about that.
- Isn't it a good script?
1:08:18
It has some good things in it, but
it would be a very expensive picture.
1:08:23
I don't care.
1:08:25
I want to work again. You don't know
what it means knowing you want me.
1:08:30
Nothing would please me more
if it were possible.
1:08:34
Remember, I don't work before
10 a.m. And never after 4.30 p.m.
1:08:38
- We're ready, Mr DeMille.
- All right.
1:08:42
Why don't you sit here and watch?
Pictures have changed quite a bit.
1:08:49
All right, let's go.
1:08:51
Hit 'em all.
1:08:55
Roll 'em. Speed.
1:09:06
You see those offices there, Mr Gillis?
1:09:11
They used to be Madame's
dressing-room. The whole row.
1:09:15
That didn't leave much
for Wallace Reid.
1:09:17
He had a great
big bungalow on wheels.
1:09:20
I had the upstairs. You see where it
says "Readers Department"?
1:09:26
I remember my walls were
covered with black patent leather.
1:09:38
I'll be with you in a minute.
1:09:52
Here's that funny car Cole was
talking about. Can we look it over?
1:09:56
What's so funny about it?