:58:00
In Europe, we have a much
stronger tradition of work...
:58:03
with what
you call a message.
:58:06
That is, after all,
why I've been persuaded
to write my first screenplay.
:58:13
Yes, if Tex Mex
had been, say,
:58:16
German about the plight
of the exploited Gastarbeiters,
:58:20
it would have met
with a far greater success.
:58:22
They have Mexicans
in Germany?
:58:26
It probably would have made
less money than Hotpants,
:58:29
but in Europe we're
not necessarily interested
in that kind of a success,
:58:32
not when a film can change
the way people think.
:58:47
And that, Ronnie,
is why I write.
:58:52
It's also why you act,
:58:54
although you
may not yet know it.
:59:01
[ Whirring ]
:59:03
[ Ronnie ]
You married or somethin'?
:59:05
I was. My wife died
unexpectedly sometime ago.
:59:10
Sorry to hear that.
:59:13
Got any kids?
:59:15
No, no, my wife was
rather older than myself.
:59:18
Oh, like me and Aud.
:59:20
Yes, indeed.
:59:26
So what's this script about?
:59:28
Script?
:59:31
Yeah, you said you were
working on a screenplay.
:59:33
Oh, yes, that.
:59:35
Oh, I couldn't subject you
to work in progress.
:59:39
Why not?
:59:42
Then, of course,
there is the risk
of copyright infringement.
:59:45
[ Laughs ]
Giles, we're old friends, huh?
:59:50
[ Chuckles ]
:59:54
[ Ronnie ]
Coffee always takes her forever.
[ Giles ] Indeed.
:59:58
Hey, Strider.