:29:00
Cochran and I are doing everything to
make sure your kids are home for dinner.
:29:04
Don't talk to the press.
Network orders. We' re going national .
:29:08
What's going on?
:29:09
Sorry, we've been promoted .
:29:12
You 'll have to turn on the news
when I report it.
:29:15
We go now to Max Brackett. . .
:29:17
. . . for an exclusive report
on the situation in the museum.
:29:21
It's good to see you safe.
This is a remarkable job you' re doing .
:29:26
Thank you, Mort.
I was just. . . .
:29:28
I'm just happy I was in a position
to help the children.
:29:32
I'm optimistic that Mr. Baily--
:29:34
Should we bring Broyles down from
San Francisco if this takes hold?
:29:38
We can ask, but what for?
:29:41
Brackett was born for this job.
:29:43
Look at him .
:29:44
He's a pig in shit.
:29:46
Kevin, anyone ever feel him out
for anchor work?
:29:49
That's an anchor?!
:29:51
Look at him .
:29:53
I wouldn't even
buy a new car from that guy.
:29:55
He'd never sit behind a desk. He wanted
to be where the bullets were flying .
:29:59
Then he got too hot to keep around
after your little incident.
:30:03
Little incident?
:30:05
Are we suffering from memory loss?
:30:07
He did his two years in the sticks.
:30:09
He learned his lesson.
He chilled .
:30:13
Max, we understand you are going back
inside the museum.
:30:16
Yes. Mr. Baily has agreed
to release one child.
:30:20
What about that girl in the glasses?
:30:23
-You' re asking me?
-I got to choose somebody.
:30:27
-Do you have children?
-I have two.
:30:29
-Could you bear saving just one?
-Quiet.
:30:33
Let all of them go. That's how you'll
get people to sympathize with you.
:30:40
Everybody's going to get to go home.
You just got to take turns.
:30:43
I would like to say I stand by to offer
whatever help I can give, and hope. . .
:30:48
. . .there will be a peaceful resolution,
without further violence.
:30:52
Be careful, Max. . .
:30:54
. . .and Godspeed.
:30:55
Thank you. Godspeed .
:30:57
-We' re clear.
-Mort has Shakespeare writing for him .