1:28:01
is that fear is
what's driving a lot of people.
1:28:04
Commercials.
1:28:07
The president is a product.
1:28:10
He's the President
of the United States at 89%.
1:28:13
Which we're dealing with today.
1:28:15
Commercials.
1:28:18
lt's time the American people
began to look at that.
1:28:21
Now we're going
to take your calls.
1:28:24
The number is 1-800...
1:28:25
Oh, shit.
1:28:37
Stanley, what are you doing?
1:28:38
What am l doing?
1:28:41
l'm going to call somebody.
1:28:44
That's very funny.
1:28:45
l'm going to get
these people straight.
1:28:47
You can't do that.
1:28:49
Watch me.
1:28:55
You knew the deal
when you signed on.
1:28:56
Come on. Deals change.
1:28:58
Sure it is.
1:29:00
Let's rethink
that ambassadorship.
1:29:03
l'm talking London.
l'm talking Paris.
1:29:05
A secret account
for your extra expenses...
1:29:08
getting laid whenever you want.
1:29:09
Marine guards will salute you.
1:29:11
lt's tempting, but l got
to answer to a higher calling.
1:29:14
-Art.
-Money?
1:29:16
You think l did this for money?
1:29:18
l did this for credit.
1:29:20
You knew
you couldn't take the credit.
1:29:22
l'm not going to stand here...
1:29:23
and let two dickheads
from film school take it.
1:29:26
Listen to me.
1:29:28
Are you nuts?
1:29:29
Stanley, no fooling.
1:29:30
You're playing with your life.
1:29:32
Fuck my life.
1:29:33
l want the credit.
1:29:35
Know what the New York Times
said about my last picture?
1:29:38
They called it
"a thrill ride for the ages..."
1:29:40
but they didn't mention
the producer.
1:29:41
They talked
about the costumes...
1:29:44
but never talked
about the producer.
1:29:45
You know what
that picture grossed?
1:29:46
Now l'm going to stand here...
1:29:48
and let some limp-dick
film-school pansy...
1:29:50
take the credit?
1:29:51
You can't do it.
1:29:53
Don't you tell me that!
1:29:55
Don't you ever tell me that!
1:29:57
l am the producer!
1:29:59
lf l didn't step up,
you're nowhere!