:31:00
He has the broadest appeal of any
on-air personality we've ever had.
:31:02
Yeah, that's right,
that's right, but, uh...
:31:04
And I love the idea of a new G show.
I was thinking the same thing.
:31:07
This is so funny. That's why I wanted
to talk to you. Listen to this.
:31:09
I think it's a great idea.
What if...
:31:11
uh, we start a show...
whatever time slot...
:31:13
with G and other hosts?
:31:16
Wait a minute.
An ensemble show...
:31:20
where G doesn't have to,
you know, carry the whole thing.
:31:23
- We could even phase him out at some point...
- Are you nuts?
:31:25
He's the guy they're interested in.
I don't understand your hesitation.
:31:29
Oh, wait a second.
Wait. I know.
:31:32
- Yeah.
- I know, and I understand.
:31:34
- Yeah!
- You're upset because I promised I'd take care of you...
:31:38
if this took off, and I haven't.
:31:40
- Oh. Oh.
- Yet.
:31:42
But if you launch this...
:31:45
and if you make it work...
:31:48
then... everything
you've wanted...
:31:52
everything that you have
ever dreamed about will be yours...
:31:57
an office next to mine...
:32:00
a view of the studio, a car...
:32:03
the perks, the bonuses...
:32:07
everything will be yours.
:32:13
- And Kate?
- To hell with Kate.
:32:16
Do you wanna produce the show
or don't you?
:32:19
Look, as far as I'm concerned,
Kate is indispensable.
:32:22
We couldn't have gotten here
without Kate, and...
:32:24
my deal would have to be in place,
'cause, that's right...
:32:28
- you said the last show, if I made that work...
- I also said...
:32:30
to get G signed up, and have you
done that, Mr. On-the-ball?
:32:35
- Yeah, he's been here.
- I don't see any paper.
:32:38
Oh, well, that's just
a matter of signing.
:32:40
Why? He doesn't have a pen?
You get him signed up.
:32:45
And then...
we'll talk your deal.
:32:53
Whether you're a lover of jazz,
gospel, classic or rock...
:32:56
you'll be able to select
the kind of sound...
:32:59
that is going to fit
whatever kind of music you enjoy.