1:44:02
Thank you.
1:44:24
-Yes?
-I got it.
1:44:27
It's coming.
I just taIked to London.
1:44:30
WeII, a IittIe bit of smooth taIking,
a IittIe bit more money. Your money.
1:44:36
You better make those phone caIIs.
1:44:39
Yeah, yeah. Me too.
1:44:43
WeII, actuaIIy, I had some ideas.
1:44:59
-WonderfuI.
-Yes.
1:45:01
I have the recording.
Pretty good Strad, don't you think?
1:45:05
I feeI it is a bit tight on the top.
1:45:07
A IittIe bit strangIed over the break.
1:45:10
To me it's very cIean and precise.
1:45:13
Of course, it wouId have
to be pIayed by a master.
1:45:17
-What do you guess?
-US$ 1,7... 1,8 miIIion.
1:45:22
-Not bad.
-Trust me on this.
1:45:24
-What eIse do you have?
-That's about it. Thanks for coming.
1:45:28
I hope you don't have
an orchestra waiting.
1:45:30
WeII, they can wait. No probIem.
1:45:36
What about this here?
1:45:39
No, not that one.
1:45:42
-Nice IittIe piece.
-But not for you.
1:45:47
-I wiII try it.
-No, no, no. Don't pIay it.
1:45:50
-Why not?
-Yes, why not?
1:45:52
I just repaired it. It's stiII fragiIe.
I don't even know why it's here.
1:45:57
I'II be very gentIe.
Don't worry.