Six Days, Seven Nights
prev.
play.
mark.
next.

:14:01
Excuse me. Miss Monroe?
You have a phone call.

:14:04
- I do?
- You could take it at the bar.

:14:06
What... Who would be
calling you here?

:14:09
I have no idea.
I'll be right back.

:14:14
- Can I get two maitais, please?
- Yes, ma'am.

:14:16
Thank you. Hello?
:14:19
Look, I know you're on vacation...
:14:21
but this is a dire emergency.
:14:23
- Oh, no.
- The photo shoot's on...

:14:25
but it's an availability nightmare.
:14:27
Vendela and Evander Holyfield
only have a mutual 17-hour window.

:14:31
If we don't get them now,
nobody's available...

:14:33
for four months and
we lose them for the May cover.

:14:35
Well, there's gotta be somebody closer
whose life you can screw up.

:14:38
That's the ironic thing, dear.
There's not.

:14:40
Vendela's in Sydney.
Evander's in Osaka.

:14:44
I threw Taylor on a plane
this morning to Papeete.

:14:46
- Tahiti?
- Yes. They're all coming to you.

:14:49
All you have to do
is fly back to Tahiti...

:14:52
baby-sit the shoot,
fly back out.

:14:54
- Fifteen hours at the most.
- Look, this is complicated.

:14:57
Uh, Frank proposed
to me last night.

:15:01
Oh, my God!
:15:03
This is so exciting.
Sweetie, I'm so happy for you.

:15:05
Well, I'm glad, but...
:15:07
The point is, what kind of message
am I sending to Frank...

:15:10
if the day after our betrothal, I'm
leaving him to go on some photo shoot?

:15:16
An excellent message.
:15:18
This is the perfect opportunity
to establish parameters.

:15:22
- Oh, God.
- I read somewhere...

:15:24
that 38.6% of all women...
:15:27
are pressured into quitting their jobs
in the first year of marriage.

:15:31
Marjorie, you read that
in our magazine, and we made it up.

:15:34
Oh, Please, Robin, please.
Please, please, Robin, please?

:15:40
- Deal.
- Oh, good!

:15:42
- Do you have a way back to Tahiti?
- Oh, yeah, I can...

:15:49
- That's good? Yeah?
- Mmm. Mm-hmm.

:15:54
Thanks.

prev.
next.