:40:01
And, cut!
:40:03
-Did you get that?
-Nice.
:40:06
-What'd you see?
-Fear. Mostly fear.
:40:08
-Some insane looks.
-You saw insane looks?
:40:11
Betsy, you were such a good girl.
:40:16
Let's get Carol out of her trailer,
shoot the other side of this masterpiece.
:40:38
-He's brilliant.
-He is.
:40:41
His fear is so real.
It's like it's actually happening.
:40:57
-We work really well together.
-That's what he was saying.
:41:07
Bastard!
:41:10
Darling.
:41:15
Darling, I respect Kit's way of working.
:41:18
The no rehearsal, no contact off screen.
:41:20
But it's so traditional to actually meet
the person you're working with.
:41:25
No, you should not meet Kit because
we're not doing anything traditional here.
:41:29
We're working in a new style.
We're working in cinema nouveau.
:41:34
Cinema nouveau.
:41:42
It felt so good today to quit my job.
:41:45
I told them, "l'm a screenwriter now."
:41:48
They said,
"You have eight brothers and four sisters.
:41:50
"How will you earn your money?"
I said, "This is more important.
:41:54
"Bowfinger has given me a chance,
and I'm going to take it."