1:10:05
And as always, he was right.
1:10:08
He never maintained something
was wrong, when it wasn't.
1:10:13
He sensed with
25 people on the set...
1:10:17
...when somebody in the back
was whispering.
1:10:21
Yes, the raving fit would
follow without fail.
1:10:23
It was almost an animal
presence that he had.
1:10:29
I learned something special from
him, from his physicality.
1:10:35
I later called it the Kinski spiral...
1:10:38
...meaning an appearance
from behind the camera.
1:10:40
If you enter the scene from the
side, showing your profile...
1:10:43
...and then face the camera,
there is no tension.
1:10:48
He developed something.
1:10:50
Standing next to the tripod, he
would twist his leg around...
1:10:55
...and this way his body had to spiral
itself organically into the picture.
1:11:01
If you were the camera, he would
position himself right next to it...
1:11:06
...and twist into frame.
1:11:09
This created a mysterious,
disturbing tension.
1:11:32
Come and play
something for the men.
1:11:50
He did spiral just like that, I can
remember, up on that platform...
1:11:55
...when we were filming
simultaneously from a helicopter.
1:11:59
He did it up on that platform,
and that was very dangerous...