Payback

1:37:20

He's been done bad by, so of course. . .

1:37:22

. . .here's a primary pIace
where you have to get to. . .

1:37:26

. . .in order to desire retribution.

1:37:29

So he's out for some payback.

1:37:33

He just wants what's his.
He's going back for it. . .

1:37:37

. . .heII or high water.

1:37:38

It's kind of a perverted
principIe, in a way.

1:37:42

It's a perverse set of moraIs.

1:37:45

Misguided.

1:37:47

His code is, I think, just a
''be true to yourseIf'' kind of thing.

1:37:52

Mean what you say, and say
what you mean, and do it.

1:37:57

And he's not. . .

1:38:00

. . .he's not, what I'd caII. . .

1:38:02

. . .the shining beacon of civiIity
and moraIity, any of those things.

1:38:06

He kiIIs peopIe at a drop of a hat.

1:38:09

But he does stay on course.
Put it that way.

1:38:12

He doesn't switch horses.

1:38:15

Back-story. He was a marine.

1:38:17

He just was a grunt.

1:38:19

He's a kind of bIue-coIIar guy.

1:38:23

Got a weakness for women.

1:38:25

Likes money. Likes to go on hoIidays.

1:38:28

He has a certain street nous.

1:38:31

And he knows how to. . .

1:38:33

. . .pIot things out
and waIk away with it.

1:38:36

A whoIe worId is created here.
Everybody's a bad guy, and. . .

1:38:41

. . .in this worId, somebody Iike
Porter you can root for. . .

1:38:45

. . .because by virtue of not being
as bad as everyone eIse. . .

1:38:49

. . .it makes him the hero.
He's a bad guy.

1:38:53

It's a bizarre and absurdist worId.

1:38:57

It's reminiscent of a Iot of those
70s gritty action-crime capers.