:34:14
Look, I don't understand,
In musicals...
:34:18
why do they start to sing
and dance all of a sudden?
:34:23
I mean, I don't suddenly
start... to sing and dance,
:34:28
No...
:34:30
You're right, Jeff,
You don't,
:34:33
The last thing on the list
is the bake sale,
:34:37
Two sundays away,
:34:41
Hi, Selma,
Come on in, come on in,
:34:44
I'm gonna introduce you
to your understudy,
:34:46
My understudy?
:34:48
Yeah,
:34:49
This girl Suzan,
who boris knows,
:34:51
is a good singer,
She's a good dancer,
:34:54
She'll learn
your part, too,
:34:55
because, say,
you get a cold,
:34:58
and...
:35:00
you can't do it,
:35:01
then the show
doesn't have to stop,
:35:04
Okay?
:35:05
Suzan, Selma,
Selma, Suzan,
:35:10
Could you take off
your glasses?
:35:18
I think
we'll do the part
:35:19
without glasses,
:35:21
Next sunday,
you will see
:35:23
both Marias,
:35:25
I mean, Selma will
do the role, really,
:35:27
but... i'll have you
read part of it too,
:35:29
All right?
:35:32
It's your first time
on the night shift,
:35:33
right?
:35:34
While this
is being pressed,
:35:36
you'll be cutting
on the other machine,
:35:37
That means
you'll be in charge
:35:39
of two machines,
:35:42
You have to beat Sarah
over there, right?
:35:46
This pallet must
never be empty,
:35:48
Is it always
so dark in here?
:35:50
What?
:35:51
Is it always
so dark in here?
:35:52
It's exactly the same
as the daytime,
:35:53
Oh,
Okay,
:35:55
The only thing is you have
to work a little faster,
:35:56
That's what
you're paid for, right?
:35:58
- Okay,
- Okay?
:35:59
Thank you,